(no subject)
OOC
Player Handle: Snarky
Player Journal: N/A
Contact: wildzubat for plurk
Age if under 18: that age over there
Invited by: I invited myself. :| No ok Beth.
Current Characters at Matched: If you play anyone at Matched already
IC
Character Name: Maglor / Makalaurë Kanafinwë ... um. If he needs a surname then I guess Fëanarion would be it.
Canon: The Silmarillion
Canon Point:
Option A: I would really like to play him significantly post canon with the idea that he's just... kept wandering the earth right on into modern times, following the idea Tolkien remarked on in a letter somewhere, where he estimated that we'd be in something like the eight age? With WWII being the cusp of the 7th and 8th ages, if I recall rightly. HOWEVER if that is not kosher b/c it stretches into 'AU' territory or w/e, then option B can be a thing.
Option B: should option A be unacceptable, then his canon point should be shortly after he chucks the silmaril into the ocean and wanders off and vanishes from known history. Long enough that the upheavals have finished, and the host of the Valar has returned to Valinor but still basically at the last point we hear of him in canon.
Age: immortal, but I guess he probably looks like he's in his 20s or 30s or something. idk. elves man.
Birth Date: BUT HE DOESN'T REMEMBER ANYMORE also he was born before years defined by sun and moon and round planets were a thing. . . . . . so yeah just RNG it. Or don't since look he's really old and would be Matched so does it even matter?
Gender Role: A mandespite his pretty hair
Match: he'd prefer single because wow rude he was already married, but actually no no preferences
Abilities:
Being an Elf. So yeah functionally immortal, immune to diseases, all that jazz. I am sure Beth has ramble to you about elves before. She seems to really like them or something idk.
His music is goddamn amazing, and as a singer he is named second only to one other elf which has to mean something since elves are a very musical people. It is reasonable to assume that, like Finrod, he is capable of wielding music for battle purposes, even if his musical exploits are primarily spoken of regarding more artistic pursuits than epic rap battles.
He's really good with weapons and not dying. He has a hell of a lot of experience in battle. He is deadly and quite capable of being ruthless.
He knows his way around horses. He knows his way around a lot of things, actually, but having been in positions of ruling and governing a land that was primarily open plains and guarded by cavalry, he happens to be particularly familiar with those things.
Setting: Go ask your sister. :|
History: Wiki on Maglor
If you want it all in my own words complete with headcanons and choices between conflicting versions of canon, it's all written out in my app to Ataraxion here.
If canon point A, then his history continues on as basically him wandering the earth for a very long time. He takes on a primarily observant role, watching humanity gradually rise and thrive and spread. Eventually he turns more inland from the coasts as elves dwindle and fade or sail west, but he retains an affinity for places with water. He generally refrains from active participation in history, so to speak, instead preferring to live on the fringes and simply watch humanity, which continues to fascinate him in its own way. His love of music has never faded, and one thing he particularly enjoys about humanity is how very musical they are and what a variety of instruments and styles they concoct. And also the stories they come up with.
Elves, for all their artistry, are not nearly so good at fiction as humanity. Elves tend to tell things as they are or as they were, and while viewpoints might be biased and misconceptions made or metaphoric language might be used, their memories are very good and very long so they tend not to make things up to fill in gaps... because there aren't gaps in memory for them to fill in, really. That isn't to say they are incapable of coming up with fiction, but simply that it is less in their nature to craft whole new worlds and more to instead tell beautiful stories and poetry about the world as it is. (Or at least this is my headcanon on one of the major mental differences between elves and men...) In any case, Maglor also finds this fascinating, and basically just - as an artist in his own right, he likes exploring the things humans come with. Always something new. And yet - always many old things reworked and redone.
Aaanyway, he makes his way in the world doing odd jobs and as a wandering street musician. Given his ageless nature and the bother of paperwork forgeries and so on, at least in the modern world, he tends to avoid sticking around in one place too long or leaving much of a trace. He has at times taken up the sword again for his own defense (he does not wish to go to the Halls of Mandos, thank you very much), for employment from time to time and very occasionally participating in some of humanity's numerous conflicts. He does not do so out of any bloodlust or generally any sort of investment in the outcome so much as soldiers have their own stories and music to tell and sing, and having lived through a great deal himself, Maglor knows full well the value of art from all sources. And he knows the need people have to be heard even by just one other person.
When he shows up, however, it would be during one of his stints as a street performer.
Personality:
Maglor is made of music and loyalty and level-headed steel and a dash compromise. But only a dash.
One of the things he is best known for is being one of the greatest of elven minstrels. Indeed, the name his mother gave him - Makalaurë - translates to something like 'cleaver of gold' and is said to be in reference to his skill with a harp and possibly his voice. Song is forever a part of him and his life - and if left to his own devices, it likely would have remained the central part. Even now, in the end, when he no longer has any responsibilities, he reverts to songs, though all he has to express what is in his heart now seem to be laments. Dirges and mournful eulogies to all that has been lost. Heck, the one song of his we do know the name of is the Noldelantë - the Fall of the Noldor - and it is likely not a happy one. But perhaps he once wrote light, playful pieces in his youth. Or sung happier songs for his children and before them, his younger brothers and cousins.
( Canon point A note: He has become less focused on his own regret, though that remains deep down and will never ever go away, and so he has more music again besides mournful things. His music retains a melancholy, weary nature but there is more resignation and more variety now. )
Which brings us to the next point - loyalty. Another quality that greatly defines him is his loyalty to his older brother in particular. However, he ... has been somewhat betrayed in this aspect, as at the very end, his older brother has left him behind. Still, when it comes to those he cares about, he will remain absolutely loyal to and protective of them, even if it means compromising his own wants and beliefs. Moreover, he is generally of a friendlier temperament and seems to get along much better with his cousins than his younger brothers ever did. He - like Maedhros - remains friends with others, such as Finrod.
Moreover, he is one of the more level-headed of his brothers. Like Maedhros, he inherited some of the more grounded even temperament of their mother, Nerdanel. She is known for being wise and even-keeled. And Maglor seems to be prone to thinking things through and advising caution and trying to take the lesser of two dark roads. He refrains from launching an unwise attack on Morgoth to get Maedhros back and likely get them all killed in the process. He tries to pursued Maedhros to forsake the Oath in the end, as well, saying that they would do less evil in breaking it, since it's likely that the Everlasting Darkness is their lot either way. Logically it's the better thing to do, and face it, it's... better for other reasons, too. He is the only one of the brothers to really consider renouncing the Oath, and that definitely says something about his willingness to back down at times and compromise. In addition, he is shown as being caring and capable of kindness by his adoption of Elrond and Elros. It is said that love grew between them, and it is doubtful that love would have existed if he had been a poor caretaker and had been cruel to them. It is more likely that he was kind and taught them well, given that they both grow up surprisingly sane and capable.
However, that is not to say that he is all sunshine and softness. Maglor is as much a kinslayer as his brothers. He participated in all three Kinslayings, and even if he advised against it, in the end he still followed Maedhros and killed a few guards to get back the Silmarils. His hands are deeply stained with blood, and the fact that he is repentant for that doesn't really change that fact. It just makes him a little less terrible than if he were totally unrepentant. He has a heart, but he is not and should not be held guiltless. He is a warrior, and he has been through terrible wars, and if he needs to, he will not hesitate to kill. There was no place for mercy in fighting orcs or men who turned against them, and he slew many of both. Moreover, given what he has been through, it is likely that he has some serious PTSD going on - his deeds haunt him, as do his losses and the things he has witnessed. He is no longer entirely stable - he is somewhat jumpy, and he also is very pained. And often when people are in pain, they react to things badly, lashing out. He may very well do the same, falling back on pride and sarcasm to guard himself against others if they strike a nerve. He can be very dangerous if provoked, and though he is not sadistic and will not try to cause pain, he is a war veteran and is not above threats or fighting to get what he sees as necessary.
But... he is very tired and less interested in confrontation than in being reclusive and mourning and ... just... going on. He lives on, now, to remember those who have fallen and those he has wronged and see what is yet to come.
Inventory:
Canon Point Option A:
A violin in its case. The case is somewhat battered, but the violin itself is very well cared for despite seeing a lot of use.
The clothes on his back
a necklace with a few special things on it - a pendant and a few ancient rings
a battered duffel bag with a couple changes of clothes, a half empty pack of cigarettes, a water bottle, a notebook or two with stories and poems and chord notations written in a variety of languages and two elvish swords that his father made ages ago. Also a couple pens, at least one of which has a really chewed up cap and all of which probably have bite marks on the end.
Canon Point Option B:
A lap harp in a battered case
The clothes on his back
a couple rings / pendants - basically just a necklace or two with mementos of his brothers and wife hanging off it.
sand is probably stuck to the clothes so he's bringing sand, too. :|
two swords
miscellaneous things that were on his person, such as a water skin. However, he isn't really geared for long travel despite... having become a wanderer
bandages wound around his hands which are burned and still healing.
Port Network: Is a Dear Mun entry from ages ago ok?
If not I will whip up a new one.
Logs: ( from his ataraxion app )
Maglor crouches at the edge of a pool in one of the rec centers and contemplates the chlorinated water.
The water here is strange, and Maglor is not certain what he thinks of it, yet. A week is not enough time for him to truly decide much of anything about this place - besides that he thinks he does not like it much. He has lived in cities before, and he has taken shelter in forts upon bare hilltops overlooking burned fields where nothing seems to grow. But that is different. In cities, a sky still wheels overhead, and the air carries with it a different feel. In cities, the air pressure and temperature often shift as the weather around them changes, but here nothing changes unless he moves to a different part of the ship. The air isn't exactly stale but there is a sameness to it, a lack of signals about the world around him that unsettles him.
Even in the oxygen garden, nothing is quite right. Not even the water. He cannot hear the Great Music in it, like he can in the ocean, and flowing through pipes and filters and constantly recirculating, it sounds and smells and feels just enough different to unsettled him, too, and he cannot take comfort in any fountains or gardens yet.
But the pools like this are altogether different. They reek of chemicals he knows the names of and has learned the structure of (the libraries here are positively fascinating to comb through) but still finds strange. However, his is almost better than the not-quite-right water elsewhere. It is very different and therefore somehow less unsettling, even if it tastes vile and leaves his skin smelling of the chemicals and his hair feeling dry. And it is silent. He can hear the faint hum of the filters circulating the water, but with no one currently swimming in the pool, it is nearly still, save for faint ripples across the surface from the drafts out of nearby hallways. But the water itself is silent, and he doesn't think that is such a bad thing.
It gives him room for his own songs, and after a time of staring into the water, he begins to hum to himself, a melody in tune with the filters and the thrum of the ship itself beneath his feet and all around. And for the first time since he arrived here, he closes his eyes and forgets the swords he still carries with him and relaxes.
Player Handle: Snarky
Player Journal: N/A
Contact: wildzubat for plurk
Age if under 18: that age over there
Invited by: I invited myself. :| No ok Beth.
Current Characters at Matched: If you play anyone at Matched already
IC
Character Name: Maglor / Makalaurë Kanafinwë ... um. If he needs a surname then I guess Fëanarion would be it.
Canon: The Silmarillion
Canon Point:
Option A: I would really like to play him significantly post canon with the idea that he's just... kept wandering the earth right on into modern times, following the idea Tolkien remarked on in a letter somewhere, where he estimated that we'd be in something like the eight age? With WWII being the cusp of the 7th and 8th ages, if I recall rightly. HOWEVER if that is not kosher b/c it stretches into 'AU' territory or w/e, then option B can be a thing.
Option B: should option A be unacceptable, then his canon point should be shortly after he chucks the silmaril into the ocean and wanders off and vanishes from known history. Long enough that the upheavals have finished, and the host of the Valar has returned to Valinor but still basically at the last point we hear of him in canon.
Age: immortal, but I guess he probably looks like he's in his 20s or 30s or something. idk. elves man.
Birth Date: BUT HE DOESN'T REMEMBER ANYMORE also he was born before years defined by sun and moon and round planets were a thing. . . . . . so yeah just RNG it. Or don't since look he's really old and would be Matched so does it even matter?
Gender Role: A man
Match: he'd prefer single because wow rude he was already married, but actually no no preferences
Abilities:
Being an Elf. So yeah functionally immortal, immune to diseases, all that jazz. I am sure Beth has ramble to you about elves before. She seems to really like them or something idk.
His music is goddamn amazing, and as a singer he is named second only to one other elf which has to mean something since elves are a very musical people. It is reasonable to assume that, like Finrod, he is capable of wielding music for battle purposes, even if his musical exploits are primarily spoken of regarding more artistic pursuits than epic rap battles.
He's really good with weapons and not dying. He has a hell of a lot of experience in battle. He is deadly and quite capable of being ruthless.
He knows his way around horses. He knows his way around a lot of things, actually, but having been in positions of ruling and governing a land that was primarily open plains and guarded by cavalry, he happens to be particularly familiar with those things.
Setting: Go ask your sister. :|
History: Wiki on Maglor
If you want it all in my own words complete with headcanons and choices between conflicting versions of canon, it's all written out in my app to Ataraxion here.
If canon point A, then his history continues on as basically him wandering the earth for a very long time. He takes on a primarily observant role, watching humanity gradually rise and thrive and spread. Eventually he turns more inland from the coasts as elves dwindle and fade or sail west, but he retains an affinity for places with water. He generally refrains from active participation in history, so to speak, instead preferring to live on the fringes and simply watch humanity, which continues to fascinate him in its own way. His love of music has never faded, and one thing he particularly enjoys about humanity is how very musical they are and what a variety of instruments and styles they concoct. And also the stories they come up with.
Elves, for all their artistry, are not nearly so good at fiction as humanity. Elves tend to tell things as they are or as they were, and while viewpoints might be biased and misconceptions made or metaphoric language might be used, their memories are very good and very long so they tend not to make things up to fill in gaps... because there aren't gaps in memory for them to fill in, really. That isn't to say they are incapable of coming up with fiction, but simply that it is less in their nature to craft whole new worlds and more to instead tell beautiful stories and poetry about the world as it is. (Or at least this is my headcanon on one of the major mental differences between elves and men...) In any case, Maglor also finds this fascinating, and basically just - as an artist in his own right, he likes exploring the things humans come with. Always something new. And yet - always many old things reworked and redone.
Aaanyway, he makes his way in the world doing odd jobs and as a wandering street musician. Given his ageless nature and the bother of paperwork forgeries and so on, at least in the modern world, he tends to avoid sticking around in one place too long or leaving much of a trace. He has at times taken up the sword again for his own defense (he does not wish to go to the Halls of Mandos, thank you very much), for employment from time to time and very occasionally participating in some of humanity's numerous conflicts. He does not do so out of any bloodlust or generally any sort of investment in the outcome so much as soldiers have their own stories and music to tell and sing, and having lived through a great deal himself, Maglor knows full well the value of art from all sources. And he knows the need people have to be heard even by just one other person.
When he shows up, however, it would be during one of his stints as a street performer.
Personality:
Maglor is made of music and loyalty and level-headed steel and a dash compromise. But only a dash.
One of the things he is best known for is being one of the greatest of elven minstrels. Indeed, the name his mother gave him - Makalaurë - translates to something like 'cleaver of gold' and is said to be in reference to his skill with a harp and possibly his voice. Song is forever a part of him and his life - and if left to his own devices, it likely would have remained the central part. Even now, in the end, when he no longer has any responsibilities, he reverts to songs, though all he has to express what is in his heart now seem to be laments. Dirges and mournful eulogies to all that has been lost. Heck, the one song of his we do know the name of is the Noldelantë - the Fall of the Noldor - and it is likely not a happy one. But perhaps he once wrote light, playful pieces in his youth. Or sung happier songs for his children and before them, his younger brothers and cousins.
( Canon point A note: He has become less focused on his own regret, though that remains deep down and will never ever go away, and so he has more music again besides mournful things. His music retains a melancholy, weary nature but there is more resignation and more variety now. )
Which brings us to the next point - loyalty. Another quality that greatly defines him is his loyalty to his older brother in particular. However, he ... has been somewhat betrayed in this aspect, as at the very end, his older brother has left him behind. Still, when it comes to those he cares about, he will remain absolutely loyal to and protective of them, even if it means compromising his own wants and beliefs. Moreover, he is generally of a friendlier temperament and seems to get along much better with his cousins than his younger brothers ever did. He - like Maedhros - remains friends with others, such as Finrod.
Moreover, he is one of the more level-headed of his brothers. Like Maedhros, he inherited some of the more grounded even temperament of their mother, Nerdanel. She is known for being wise and even-keeled. And Maglor seems to be prone to thinking things through and advising caution and trying to take the lesser of two dark roads. He refrains from launching an unwise attack on Morgoth to get Maedhros back and likely get them all killed in the process. He tries to pursued Maedhros to forsake the Oath in the end, as well, saying that they would do less evil in breaking it, since it's likely that the Everlasting Darkness is their lot either way. Logically it's the better thing to do, and face it, it's... better for other reasons, too. He is the only one of the brothers to really consider renouncing the Oath, and that definitely says something about his willingness to back down at times and compromise. In addition, he is shown as being caring and capable of kindness by his adoption of Elrond and Elros. It is said that love grew between them, and it is doubtful that love would have existed if he had been a poor caretaker and had been cruel to them. It is more likely that he was kind and taught them well, given that they both grow up surprisingly sane and capable.
However, that is not to say that he is all sunshine and softness. Maglor is as much a kinslayer as his brothers. He participated in all three Kinslayings, and even if he advised against it, in the end he still followed Maedhros and killed a few guards to get back the Silmarils. His hands are deeply stained with blood, and the fact that he is repentant for that doesn't really change that fact. It just makes him a little less terrible than if he were totally unrepentant. He has a heart, but he is not and should not be held guiltless. He is a warrior, and he has been through terrible wars, and if he needs to, he will not hesitate to kill. There was no place for mercy in fighting orcs or men who turned against them, and he slew many of both. Moreover, given what he has been through, it is likely that he has some serious PTSD going on - his deeds haunt him, as do his losses and the things he has witnessed. He is no longer entirely stable - he is somewhat jumpy, and he also is very pained. And often when people are in pain, they react to things badly, lashing out. He may very well do the same, falling back on pride and sarcasm to guard himself against others if they strike a nerve. He can be very dangerous if provoked, and though he is not sadistic and will not try to cause pain, he is a war veteran and is not above threats or fighting to get what he sees as necessary.
But... he is very tired and less interested in confrontation than in being reclusive and mourning and ... just... going on. He lives on, now, to remember those who have fallen and those he has wronged and see what is yet to come.
Inventory:
Canon Point Option A:
A violin in its case. The case is somewhat battered, but the violin itself is very well cared for despite seeing a lot of use.
The clothes on his back
a necklace with a few special things on it - a pendant and a few ancient rings
a battered duffel bag with a couple changes of clothes, a half empty pack of cigarettes, a water bottle, a notebook or two with stories and poems and chord notations written in a variety of languages and two elvish swords that his father made ages ago. Also a couple pens, at least one of which has a really chewed up cap and all of which probably have bite marks on the end.
Canon Point Option B:
A lap harp in a battered case
The clothes on his back
a couple rings / pendants - basically just a necklace or two with mementos of his brothers and wife hanging off it.
sand is probably stuck to the clothes so he's bringing sand, too. :|
two swords
miscellaneous things that were on his person, such as a water skin. However, he isn't really geared for long travel despite... having become a wanderer
bandages wound around his hands which are burned and still healing.
Port Network: Is a Dear Mun entry from ages ago ok?
If not I will whip up a new one.
Logs: ( from his ataraxion app )
Maglor crouches at the edge of a pool in one of the rec centers and contemplates the chlorinated water.
The water here is strange, and Maglor is not certain what he thinks of it, yet. A week is not enough time for him to truly decide much of anything about this place - besides that he thinks he does not like it much. He has lived in cities before, and he has taken shelter in forts upon bare hilltops overlooking burned fields where nothing seems to grow. But that is different. In cities, a sky still wheels overhead, and the air carries with it a different feel. In cities, the air pressure and temperature often shift as the weather around them changes, but here nothing changes unless he moves to a different part of the ship. The air isn't exactly stale but there is a sameness to it, a lack of signals about the world around him that unsettles him.
Even in the oxygen garden, nothing is quite right. Not even the water. He cannot hear the Great Music in it, like he can in the ocean, and flowing through pipes and filters and constantly recirculating, it sounds and smells and feels just enough different to unsettled him, too, and he cannot take comfort in any fountains or gardens yet.
But the pools like this are altogether different. They reek of chemicals he knows the names of and has learned the structure of (the libraries here are positively fascinating to comb through) but still finds strange. However, his is almost better than the not-quite-right water elsewhere. It is very different and therefore somehow less unsettling, even if it tastes vile and leaves his skin smelling of the chemicals and his hair feeling dry. And it is silent. He can hear the faint hum of the filters circulating the water, but with no one currently swimming in the pool, it is nearly still, save for faint ripples across the surface from the drafts out of nearby hallways. But the water itself is silent, and he doesn't think that is such a bad thing.
It gives him room for his own songs, and after a time of staring into the water, he begins to hum to himself, a melody in tune with the filters and the thrum of the ship itself beneath his feet and all around. And for the first time since he arrived here, he closes his eyes and forgets the swords he still carries with him and relaxes.